Showing posts with label 99 cents. Show all posts
Showing posts with label 99 cents. Show all posts

Dorothea's Song Review

Dorothea's Song
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Dorothea's Song Review"Dorothea's Song" by Ron Vitale mixes a modern (or at least the recent past) coming of age story with a grand fantasy quest. The author is able to juggle the requirements of both genres very well. The narrator is a high school student who is writing a fantasy story as a translation exercise for his French class. The fantasy story is where the title comes from and it involves elves, witches and large battles. In the modern chapters the author really captures the spirit of youth, his narrator seems real and not a cardboard thin character. Highly recommended.Dorothea's Song OverviewPeter is your typical high school student, but when his mother's failing marriage to his stepfather begins to split his family apart he copes by dreaming up the story of Dorothea, an elf who lives in the magical Bois d'or forest. Seizing the opportunity to release his frustrations in his French teacher's nightly writing assignment, Peter shares Dorothea's story with his teacher, imagining a world in which a coven of witches, a renegade elf lord and the humans have joined forces to conquer the elvish forest.With the Bois d'or on the verge of being invaded, Dorothea and her friends embark on a quest to find the wizard Mohan who will help them save their homeland. But the witches have other plans. They have set the three ancient evils of Anger, Fear and Lust against Dorothea. Can Dorothea survive the three curses and find Mohan in time to save her homeland? Dorothea's fate is in Peter's hands, but as his mother's marriage deteriorates and his infatuation with his French teacher increases, he must find a way to rise above the insanity and save not only Dorothea's home but also his own.

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The Weight of Blood (The Half-Orcs, Book 1) Review

The Weight of Blood (The Half-Orcs, Book 1)
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The Weight of Blood (The Half-Orcs, Book 1) ReviewWhat would you get if you turned Fritz Leiber's Fafhrd and the Gray Mouser into a pair of half-orc brothers, gave them severe inferiority complexes, moral ambiguity, and massive tempers, and then threw in a powerful religious zealot who sways them closer to the dark side than any individual should ever be comfortable with?
Why, you'd have "The Weight of Blood" by David Dalglish.
"The Weight of Blood" is an extremely dark fairy tale that tells the story of those aforementioned half-orc brothers, Qurrah and Harruq Tun. As far as main characters go, I don't think I've ever seen their likeness. Sold separately into slavery by their orc mother early on in life, they eventually escaped and found each other again, only to grow up without guidance on the streets of a town called Veldaren, scavenging for food and learning that sometimes in life, when you come from nothing, it's better to kill than be killed. Qurrah is a spindly and coldly intelligent sort whose greatest passion is to become a powerful sorcerer. Harruq, on the other hand, is a large-bodied and (sometimes) kind-hearted oaf who exists seemingly only to protect his physically weaker brother. The dialogue between the two borders on hilarious in the early going, when they're still nothing but vagrants. But there is something darker in them, mostly in regards to Qurrah, which begging to be released. They are archetypal antiheroes, existing on the periphery of a society that wants no part of them.
The story starts off with a bang, dropping us in on the brothers as an army of orcs attempts to invade Veldaren. It is here that we first meet Velixar, a necromancer and master of the dark arts, who eventually takes the brothers under his wing. Through Velixar, we also are presented with a sizeable chunk of the world Dalglish has created, which is notable if for no other reason than it gives the reader a frame of reference to draw upon further down the road.
The novel is chock full of intense and extremely graphic battle scenes. It would be easy to get lost in the action if these scenes weren't expertly crafted, which they are. The actions the brothers take from the onset vary from miscreant to downright evil. They butcher women, children, whole families, mostly without batting an eyelash. Even when one of them seemingly finds love, through the appearance of a beautiful sorcerer elf named Aurelia, this does little to stifle the loathsome behavior. Qurrah and Harruq appear to be brutes, ostensibly without a soul, and they act as such.
That statement is not quite true, however, and herein lays the brilliance of the world author Dalglish has created. This is a story of their fall and hopefully redemption, though as a series, once we reach the end it is still in the early stages. But the hope is there that these two will find their way. We get to see inside the brothers' heads, and what we find there, though disturbing, allows us to feel a glimmer of gallantry. They are capable of love - this much is evident by the way they feel about each other - and any being who can experience that emotion in its fullest and most vulnerable can eventually learn to harness that inner goodness. All they ever needed was guidance, something that was denied them through unfortunate circumstances beyond their control.
And this is where we come to the crux of the fable that the author is telling us. In many ways, the brothers' situation mirrors events we see all the time in the "real world". They have nothing, they are starving and ostracized. Everyone looks down on them. They wander through life without a purpose save staying alive. When one looks at it like this, is it any wonder that when a stranger approaches the destitute pair and offers them a life that has meaning they leap for it? They who have nothing are promised the world. They who've been looked at as the lowest of the low are told they will be worshiped as gods. They who have had to scrape and claw are given gifts of such power that they become death incarnate. When viewed from this vantage point, can we not understand, even sympathize, with the plight Qurrah and Harruq have been forced to deal with? If we, as civilized humans, were put in the same situation, would our morality not begin to wither and die after a while? This rings true with what happens every day in certain parts of the world. It is almost the very blueprint for terrorist recruitment. And at the end of the day, that is what the brothers become. Terrorists. They target not only the enemy but the young and innocent. They strike from the shadows, seeking to assist a greater agenda that they either don't or can't understand.
This is a very dark book, so take that as a warning. If you don't like the images of flayed arms and legs, decapitation, or bodies reduced to quivering masses of blood and innards, stay far away. However, if you appreciate a well-told story that pulls you into its world and won't let you back out, this is the novel for you. It is unrelenting and fast-paced. It makes you care about the characters, no matter what bad deeds they may perform. And, best of all, it allows you to feel hope that the characters will turn it all around, and through something as simple as an act of kindness.
In short, I loved "The Weight of Blood". The title says it all. It's about the inherent price of violence, the duty of family, and the pressure to do what's right. I would definitely recommend it. As far as fantasy goes, I feel you'd be hard pressed to find one that equals its scope and passion. I, for one, can't wait to get pulled into the next volume.
The Weight of Blood (The Half-Orcs, Book 1) OverviewFantasy author David Dalglish begins his series of the half-orc brothers, whose struggles will soon bathe the land of Dezrel in demon fire'------Book Description:When half-bloods Harruq and Qurrah Tun pledged their lives to the death prophet Velixar, they sought only escape from their squalid beginnings. Instead, they become his greatest disciples, charged with leading his army of undead.While they prepare, Harruq trains with an elf named Aurelia, to whom he owes his life. She is a window into a better world, but as war spreads between the races their friendship takes a dire turn.Velixar orders them to fight alongside the humans, changing Aurelia from friend to foe. To protect her, Harruq must turn against his brother and fight the killing nature of his orcish heritage.THE WEIGHT OF BLOOD by David DalglishTo side with one means to turn on another. No matter Harruq's decision, someone he loves will die.------About the Author:David Dalglish currently lives in rural Missouri with his wife Samantha, daughter Morgan, and his bearded dragon. He graduated from Missouri Southern State University in 2006 with a degree in Mathematics and currently works as a para-professional with Special Education students. He spends his free time watching PBS and Spongebob Squarepants with his daughter.

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Hemlock and the Wizard Tower Review

Hemlock and the Wizard Tower
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Hemlock and the Wizard Tower ReviewI enjoyed this story tremendously - it's filled with great detail and descriptions, contrasted wonderfully with a sweeping scope and epic adventure, painted with human and not-so-human emotional challenges and growth, all in a structure of logically evolving plots, conflicts, and resolutions.
Hemlock is initially portrayed as the reluctant heroine driven to reach beyond herself when she finds herself in a desperate predicament: her sister lies helplessly ill and the magic that might save her is fading. Blaming the wizards in the Tower, she sets out against all odds to find and remove whatever is causing the magic to fade. The story follows her adventures and growth as she learns the complex truth and consequences of her actions.
Hemlock's predicament, her response, and her growth, are all very plausible and emotionally satisfying, as well as the characterizations of the other main players in the saga. I would have liked to see her kick more action butt at the end but that's just the Hollywood in me; the way she actually pulls through is far more in character and believable. There are no broad clumsy B&W strokes of 'cookie-cutter' good-guys vs. bad-guys, but rather well positioned conflicts of intersecting interests.
The range of scale, scope, and conflict in the story is huge, from personal internal emotional conflict to army-sized brew-ups and sieges. The contrasting of these different scales and viewpoints is well balanced and keeps the pace moving rapidly along.
The tricks, traps, and magic Hemlock encounters on her journey (especially in the Wizard's Tower of course!) are very creative and fun. I was challenged to put myself in her situation to see how I'd measure up (alas, I would've died, several times over...).
The logic of the entire world meshes seamlessly and never feels forced, contrived, or artificial. Great detail is provided where needed, but like spotlights on a stage providing bright clarity where needed, the areas out of the spotlights can only be imagined and leave a strong yearning for more. I hope there are sequels because I want to know more about the nomadic teleporting city and how it interacts with the locales it visits; more about the history of the four outlying regions that travel with the city & its peoples; and so on.
To sum up, if you enjoy being immersed in a fantasy world that is at once both very real because it just 'works' and yet completely different from our own, where strong characters forge their destinies in epic conflict, this story is for you!
Hemlock and the Wizard Tower OverviewHow is power gained, retained and exercised; and what happens to a power structure when a young girl with magical abilities hacks and slashes her way into the very core of its apparatus?In a magical city that travels through multiple dimensions, a young girl named Hemlock has risen from being a lowly cutpurse to discovering that she is a powerful fighter. Under the guidance of an aging freedom fighter named Safreon, Hemlock battles to keep the peace in her run down district, while across the City the upper class Elites enjoy peace, prosperity and freedom. The Wizard Tower looms in the center of the City, casting a long shadow over its affairs. The Wizards rule behind the scenes, dictating and controlling the use of magic. Hemlock instinctively feels that the Wizards are her enemies, but Safreon will not discuss openly opposing them, as he seeks to methodically mentor Hemlock, and advance his own cryptic plans for the City. Hemlock makes a decision to make a bold attack on the Wizard Tower alone, convinced that she can destroy or undo whatever method the Wizards are using to control and ration magic. As the novel opens, we join Hemlock just after she has infiltrated the Wizard Tower, learning what happens through a narrative interspersed with flashbacks to events leading up to the attack.

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