Showing posts with label sword and sorcery. Show all posts
Showing posts with label sword and sorcery. Show all posts

STEVE JACKSON'S SORCERY: THE SORCERY SPELL BOOK AND THE SHAMUTANTI HILLS (BOX SET) Review

STEVE JACKSON'S SORCERY: THE SORCERY SPELL BOOK AND THE SHAMUTANTI HILLS (BOX SET)
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STEVE JACKSON'S SORCERY: THE SORCERY SPELL BOOK AND THE SHAMUTANTI HILLS (BOX SET) ReviewThis is the first of four books from what was, in my opinion, the best fantasy role-playing game book series of the 1980s, by Steve Jackson (the one from the U.K.). As of May, 2004 these books are not available from Amazon U.S., but you can find them on the Amazon Canada web site as a newly republished boxed set. Let's hope they make it to the U.S. side soon. The adventures in each book are detailed with interesting characters, plot twists, and puzzles. Well worth the time of any fan of fantasy role-playing or "Choose Your Own Adventure" type books.STEVE JACKSON'S SORCERY: THE SORCERY SPELL BOOK AND THE SHAMUTANTI HILLS (BOX SET) Overview

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The Darkslayer - Fantasy/Adventure (Illustrated) Review

The Darkslayer - Fantasy/Adventure (Illustrated)
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The Darkslayer - Fantasy/Adventure (Illustrated) ReviewIn a word, fun!
In three words: FUN FUN FUN!
Seriously this is a great action fantasy. I love the way Halloran keeps the action moving forward. Evil needs to have its face smashed and the Darkslayer is the hero to do it. Alternatively, Evil might require a dirk slid betwixt its ribs and Melegal (my fave character) will be happy to oblige.
This is not Tolkien. Noone will break into a 5-page song about the coming of spring (not that there's anything wrong with that!) but that's probably not what you're looking for reading the DarkSLAYER, is it? Look at that cover-- that's what I'm talking about! That reminds me--Ernie Chan (arguably the best of Marvel's illustrators for the Conan the Barbarian and SSOC series among others) produced some spectacular artwork to highlight scenes throughout the book.
Buy it! Read it! But strap on a helmet first. Maybe wear a cup.The Darkslayer - Fantasy/Adventure (Illustrated) Overview"Do as they say or die in the dungeons," the poor storekeepers would say. "Do as they say or disappear," the commoners would warn. But Venir and Melegal could not have cared less what anyone had to say. They had been this way since their childhood.As the underlings rally all of the evil forces they can muster to destroy the mystical and legendary Darkslayer, something unexpected has upset the delicate balance between good and evil on the world called Bish, making the Darkslayer a pawn in other insidious disputes.Strife and turmoil are constant features of life as humans struggle to survive among a wide array of creatures, including orcs, ogres, and the most evil of all--the underlings. When recklessness provokes a Royal household, Venir is forced to flee the city,along withhis comrade, the skinny thief Melegal. The Royals and underlings soon unleash some unusual powers against him and start to close in. Facing the final showdown, nothing unfolds as it should.

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Spellwright. Blake Charlton (Spell 1) Review

Spellwright. Blake Charlton (Spell 1)
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Spellwright. Blake Charlton (Spell 1) ReviewBlake Charlton has done the extraordinary with Spellright. He has managed to use all the tired tropes of classic Epic Fantasy (magical books, dragons, a school for wizards, and a boy who didn't fulfill his destiny) and make them all feel fresh and engaging. Plus he does it with a main character, Nicodemus Weal, who you can't help but to root for.
The dragons, although they happen off screen, are quite inventive as are the various animated helpers that swarm the keeps and grounds of Starhaven, which is the school in question. Nicodemus is an apprentice spellwright also known as authors who suffers from a form of magical dyslexia known as Cacography, which is based off the authors own battles with it. Of course the story also involves prophecies about a special Wizard who could be a a great hope to the land or harbinger of the demons of the past who wish to control the world.
There are a few bumps in the road, but most are forgivable in the name of fun escapist Fantasy. The pacing was a little stop and go, especially in the first third. The magic systems while also the strongest and most original part of the book are initially a bit confusing, but about 100 pages in a much clearer explanation is given. This could have come a tad sooner, but it probably would have slowed down the pacing of the story if it had. Also, at one point the main villain comes off a a little too much like a bad Bond nemesis by over explaining himself and the plot, which was on the excessive side. More than one soliloquy happens like this. This problem may stem from the author trying not to drag things out. Lastly, the fight at the end of the story was worth waiting for, but the very last section felt a little tacked on and Eragon-like. Still Charlton at least condensed a fairly long time frame in a short number of pages instead of stretching a training story into a whole other book as Paolini did.
There are many different wizard factions each with their own view points and magics. The histories shared from each group were quite fascinating, although there is plenty left to reveal in future installments. Charlton has also sneaked in one of my favorite and criminally underused mythical constructs, which I'd love to mention but he went through pains to make it a big reveal. The style is heavily influenced by the likes traditional Epic Fantasy from Feist, Le Guin, and Tad Williams so don't go expecting some gritty, harsh Fantasy. Blake is being evocative of something more playful yet every bit as Epic as all the aforementioned names. A whole lot of foreshadowing goes on, which was expected given it is planned trilogy.
Even though Spellwright is Charlton's debut it certainly doesn't show many freshman jitters, but he has left himself room to grow. If you're a fan of classic style Epic Fantasy this will be a must for you. I give Spellwright 8 out of 10 Hats. Spellwright is definitely in the running for debut of the year so far and it would be surprising if it wasn't still near the top by the end. Now he's gotten me all in the mood to read some classic Robin Hobb.Spellwright. Blake Charlton (Spell 1) Overview

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Shadow, Sword & Spell: Basic (RGG3000) Review

Shadow, Sword and Spell: Basic (RGG3000)
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Shadow, Sword & Spell: Basic (RGG3000) ReviewWell, this one was going to wait until Monday, but due to all of the requests I've been getting, I decided to move it up to today! Wow--you guys really wanted to know about this one! Here it is!
Recently, I had the opportunity to play and review the newest role-playing game from Rogue Games, Shadow, Sword, & Spell (SS&S). This game is designed with an eye towards pulpy, human-centric fantasy, with easily learned rules and a low price tag ($12.99 for print and pdf, less than that for print alone at Amazon). Let's see how well it does in each of those goals.
Intro
For starters, this is a 142-page, digest-sized book, available in print and pdf. As mentioned above, the print + pdf bundle is $12.99, but the pdf alone is available from sites like RPGNow for $6.99. The paper used in the print product is of good quality, with a slightly antique look to it (at least in my printing). The cover is a glossy, red-and-black design, with the silhouette of a mounted warrior. Shadow, Sword & Spell is technically the "Basic" game; an "Expert" book, for ruling kingdoms, epic-level magic, etc., is due out in 6 month's time, but the book definitely feels like a complete game.
This is human-centric, slightly pulpy fantasy, in the best vein of Robert E. Howard, L. Sprague de Camp, and Fritz Leiber. I've been working on a setting melding Earthsea with The Odyssey and the work of some of the fantasy authors aimed above, and so was quite interested in a game that names many of those authors in its "Appendix N" at the back.
The 12° System
SS&S uses the 12° System, which has seen use in other Rogue titles such as Colonial Gothic Revised and Thousand Suns. To resolve actions, one roll 2d12, and tries to roll under a Target Number (TN). The Target Number, or TN, is determined by adding in the relevant Stat + Skill, plus or minus any modifiers.
Example: I attempt to utilize my Diplomacy skill on some drunken, bloodthirsty caravan guards. My Wit stat is a 9, and my Diplomacy is a 5, giving me a TN of 14. If I roll a 13, I succeed. If I roll a 14, 15, or any number higher, I do not). Rolling a 2 on the 2d12 is a critical success; a 24 is a critical failure.
The reason this is a "degree system" is because success is counted in the number you roll under your TN. If I need to make a TN of 14 and I roll an 11, I have 3 "degrees" of success. The more degrees of success, the better your success is. This is usually just framed in general terms from the Game Master in normal play, but becomes very important in combat (more on that later). It's a very simple system, intuitive and easy to pick up within minutes.
Character Creation
Your character starts with 45 points to put in 5 Stats: Brawn, Quickness, Toughness, Wits, and Will. The stats are pretty much self-explanatory, and will be used both for stand-alone tests, as well the basis of cost for your skills and a part of your Target Number determinations. You won't find elves or dwarves as options here, though they wouldn't be hard to add: this is human-centric all the way.
You also have 3 secondary stats, derived from the attributes above: Vitality, Resolve, and Sanity. Vitality is the amount of damage your poor body can take before calling it quits; Sanity ditto, but for the mind (this being sword-and-sorcery, there are plenty of Eldritch Horrors out there to be seen!). Resolve is used as measure of your conviction and will, and is used for the Social Combat presented in the Combat chapter.
After determining these, we jump into writing our Hooks. Hooks are roleplaying tools that describe something about a character's history or story. These might be things such as "Slave at The Wheel for 15 years" or "The Exiled Heir of Skeldenland". When the GM feels you bring these hooks (start with 5) into play in exciting or appropriate ways, you can be rewarded Action Points, which can be used for re-rolls, easing the difficulty of Target Numbers, and the like.
After we've begun to flesh out our character concept with these Hooks, we choose a Background. Backgrounds are made up of two parts: a Culture and a Modifier. Your culture might be "Barbarian", with a modifier of "Haughty". Or, I might have a character that is "Civilized", but his home is also considered "Decadent". Each part confers some small bonuses as part of the background and modifier. I really enjoy the mix-and-match of the two parts, which gives a bit more of a descriptive nature to the background than a single category alone would have.
Once you are done with this, it's time to buy skills. Skill costs are governed by the attached stat; for example, Alchemy is governed by Wits, whereas Bargain is governed by Will.
When purchasing skills, also have the option of specializing in one facet of a skill at a higher rank than the original. For example, you can turn the Melee-3 skill into Melee-2 (Axes-4) This means in any other sort of Melee combat not involving axes, you'd have a skill rating of +2, but when wielding an Axe, you'd be at +4 with the skill instead.
Characters improve in this game by the use of the old standby of Experience Points (XP), which are generally awarded at a rate of 1-4 a session. These allow the improvement of stats, skills, and action points.
The remainder of Chapter 3 is all about use of skills and how to choose good Hooks. With that, our character is pretty much complete, except for his or her gear and weapons!
Economy & Gear
This chapter goes a bit into currency, then let us know the basics in money (75 silver) and equipment our character starts with. Weapons, armor, and basic adventuring gear are all included. This is a short, no-frills chapter, but I did like how it included the potential for coinage such as iron or brass--which might come into play, depending on what sort of age you set your game in.
Combat
Combat is also resolved by the skills system, meaning you add your Brawn + Melee, Quickness + Archery, or other skills as applicable. The number of degrees of success is how many times you multiply your weapon's damage factor. For example, I have a spear as my weapon. The spear's stats will look something like this:
Spear 4 (30)
The first number is the weapon's damage factor. If I have a TN of 15 to hit (9 Brawn + 6 Melee), and roll an 12, I have 3 degrees of success. That means I would multiply my weapon's damage factor (4) by my degrees of success (3) to get the total: 12. The second number of the weapon (30, in the example above) notes the max damage of weapon. That means my weapon can never get any higher than that, even if I have 9 or 10 degrees of success. Note a roll of 2 on 2d12 always does max damage; a 24 is a fumble.
If I'm the defender of an attack, I'm trying to get my own degrees of success on Dodge or Defend. Say I have a TN for my Dodge of 12, and get an 11. That's one degree of success, meaning the attackers must subtract one degree from his total.
Multiple attacks per round may be taken, at a -2 cumulative penalty for each additional action attempted. Aside from this, combat is very straightforward, with the rounds and initiative we all know. The wide swing in weapon damage and the fact that you don't have to be a passive defender really helps liven things up, though. It's a fast, handy system, and I honestly wish I'd thought of it.
As a default, armor acts as a threshold; if my Armor has 15 points of Armor Value (AV), then the first 15 points of an attack don't touch me. My group played with the in-book option of ablative armor, which definitely made the game more deadly. It's an option I'd recommend at least looking at.
Damage to the body affects Vitality. With Vitality (think Hit Points), every 15 points of damage sustained means a -1 TN to all actions. This is enough to penalize wounded characters without making dying characters useless. At 0 Vitality, you are dead or dying.
The Combat section also deals with Social Combat, wherein you use Resolve attributes via a system checks to influence and/or change the opinion of others to your point of view. Some players might find this a little much and want to minimize its use; for others, especially those with dedicated "skill monkeys" in their group, might find it just what is needed.
The combat section is definitely extensive; it goes on to talk about Healing, plus Disease, Poison, Drugs, and types of damage (Falling, Burning) a character might take. It also contains some combat options (such as Shock rules) for making combat more lethal. This is a very full, very complete chapter, but nothing here is any harder to grasp than the basics of the game. As combat chapters can famously devolve in leviathans of special rules and confusing exceptions, I say well done.
Magic
As for Magic, the magic section is about 12 pages. There are Common Spells and Arcane Spells. Common spells are short-term duration, and are pretty modest in scope, as spells go. Arcane spells are the nastiness. Arcane Spells come with a price in Sanity, however--and Sanity isn't infinite. All the spells in SS&S Basic are Common, with (I believe) the Arcane Spells coming out in Expert, due sometime in the next 6 months.
Spells have a rank like a Skill. When wanting to cast, you roll under Spell Rank+Will. For example, if I have a Will of 10, and Eldritch Tendril 3, I roll under (10+3=) 13 on 2d12 to cast.
All spells, Arcane or Common, take away a bit of Vitality (think Hit Points) when cast. There aren't a ton of spells, but if that's more your thing, it'd be easy to make more.
In addition to this type of magic, there is also Alchemy. I like this part--rules...Read more›Shadow, Sword & Spell: Basic (RGG3000) Overview

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Of Spells and Demons Review

Of Spells and Demons
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Of Spells and Demons ReviewKeric and Coran return in this book. This time they take a journey to the White Mountains to find the source of the demon infestation. Like Tolkien there is a fellowship of Wardens who are the the Marines in this book. They all take turns protecting the mage Keric. Being a scroll mage he has limited powers but finds out he really has a great deal more. The knomes are very helpful with healing him and Bale and correct damaged scrolls. There is a life and death war between the good mage and the bad ones. As you can tell I really enjoyed this book. I even read it while on vacation at Disney world, if that tells you anything.Of Spells and Demons OverviewSomething dark is stirring on the edges of the mage-kingdom of Sacreth. The ruling Mage Council, complacent and divided, is stirred to action by the attack of a rampaging demon on one of the valley's outlying settlements. The young but talented wizard Keric Olwyn is sent to investigate, along with a hand-picked team of elite Border Wardens, and a somewhat reluctant mountain guide. Armed with some of the most powerful magic that Sacreth's mages can provide, Keric and the Wardens must confront and overcome not only demons, but magic and treachery in their efforts to protect the people of Sacreth from the threat posed by the wizards of the mysterious Academy.

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